thursday books travel through time
Jul. 3rd, 2025 05:47 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
landofnowhereFire and Hemlock, Diana Wynne Jones. Reread of a book I read many times in my teens and early twenties, but this was my first time reading it in quite a while. It is still a very good book, though I don't love it as unreservedly as I did when I was a teenager. (Also it is the source of my username :-)) Things I noticed in this readthrough: I find Tom's "heroic driving" far more alarming now that I actually know how to drive a car. I'm also thinking about how things look from Seb's point of view, which I didn't before because he comes across as such an unlikeable character. I was wondering if the detail that he's a fan of Michael Moorcock is supposed to suggest that he's a Moorcock protagonist seen from the most unflattering viewpoint, but as, thanks to this book, I have never had any desired to read Moorcock, I can't say. (That said, Seb actually has decent taste in rock music! I find the Doors' Riders on the Storm to be evocative of the same themes as Fire and Hemlock, and wonder if it was an influence.)
The Fair-Haired Eckbert, Puss in Boots, The Midsummer Night by Ludwig Tieck, in English translation by various translators, available on Wikisource. I've for a while entertained the extremely aspirational idea of writing historical fantasy about the Mendelssohn siblings, and as part of that project I've been reading fantasy/fairy tales by German Romantic authors whose poems Fanny and Felix put to music. (A previous installment of this was Eichendorff's The Marble Statue, which I never wrote up.) The Fair-Haired Eckbert is one of these, and generally worked for me as a weird fairy tale, despite over-the-top plot twists and being the sort of tragedy where the characters alwasy make the worst possible decisions. But the main thing I got from it was from looking at the song part in German, and learning the excellent word Waldeinsamkeit.
Puss in Boots was recommended by a friend on Discord, after I mentioned reading Tieck: it is a comedy-satirical meta-theatrical adaptation of the fairy tale, published in 1797 but not staged until 1844 (I can see why -- it seems like a hard play to stage! but I think it will be fun to do as a group readaloud.) Tieck is just much more enjoyable when he's not taking himself too seriously.
The Midsummer Night, or Shakespeare and the Fairies is 16-year-old Tieck's Midsummer Night's Dream fanfiction, which he was prevailed to publish late in life, and is pretty good for that. (I wish I knew more about the Mary C. Rumsey who translated it.)
Homer's Daughter, Robert Graves.cahn's Odyssey read reminded me of this book, which I enjoyed when I was younger; and while I should in fact reread the Odyssey, I was visiting my family and looking for a paper book to pick up, so I started this; the premise is that our protagonist is a young Sicilian princess who is going to go on to write the Odyssey, basing certain parts on her own life. I'm liking it as much as I remembered it (especially once I got past the info-dumpy prologue), and enjoying how many details of women's work it weaves in to the events of the story. (I know now that Graves shouldn't be taken seriously as a scholar of ancient mythology, but it still makes for interesting worldbuilding and story.)
The Fair-Haired Eckbert, Puss in Boots, The Midsummer Night by Ludwig Tieck, in English translation by various translators, available on Wikisource. I've for a while entertained the extremely aspirational idea of writing historical fantasy about the Mendelssohn siblings, and as part of that project I've been reading fantasy/fairy tales by German Romantic authors whose poems Fanny and Felix put to music. (A previous installment of this was Eichendorff's The Marble Statue, which I never wrote up.) The Fair-Haired Eckbert is one of these, and generally worked for me as a weird fairy tale, despite over-the-top plot twists and being the sort of tragedy where the characters alwasy make the worst possible decisions. But the main thing I got from it was from looking at the song part in German, and learning the excellent word Waldeinsamkeit.
Puss in Boots was recommended by a friend on Discord, after I mentioned reading Tieck: it is a comedy-satirical meta-theatrical adaptation of the fairy tale, published in 1797 but not staged until 1844 (I can see why -- it seems like a hard play to stage! but I think it will be fun to do as a group readaloud.) Tieck is just much more enjoyable when he's not taking himself too seriously.
The Midsummer Night, or Shakespeare and the Fairies is 16-year-old Tieck's Midsummer Night's Dream fanfiction, which he was prevailed to publish late in life, and is pretty good for that. (I wish I knew more about the Mary C. Rumsey who translated it.)
Homer's Daughter, Robert Graves.
cahn's Odyssey read reminded me of this book, which I enjoyed when I was younger; and while I should in fact reread the Odyssey, I was visiting my family and looking for a paper book to pick up, so I started this; the premise is that our protagonist is a young Sicilian princess who is going to go on to write the Odyssey, basing certain parts on her own life. I'm liking it as much as I remembered it (especially once I got past the info-dumpy prologue), and enjoying how many details of women's work it weaves in to the events of the story. (I know now that Graves shouldn't be taken seriously as a scholar of ancient mythology, but it still makes for interesting worldbuilding and story.)Books read, June 2025
Jul. 1st, 2025 01:22 pmswan_towerDeath in the Spires, K.J. Charles. An excellent historical mystery, straddling the turn of the nineteenth century into the twentieth. Years ago, an Oxford student was murdered in his room; thanks to one small detail of this case, the surviving members of his group of friends know that one of their number must have done it. But no one has ever been convicted.
The detail in question felt slightly contrived to me, but I accept it as the set-up for what is otherwise an engaging story about personal relationships. The novel proceeds in two parallel tracks, one building up the history of these friends at university, the other showing what's become of them since the murder. It does the thing a dual-timeline novel needs to do, which is keep suspense around the past: yes, we know who's going to get murdered, but the lead-up to that matters quite a lot, first as we see how this group coalesced into such brilliance they were nicknamed the "Seven Wonders," and then as we see how things fell apart to a degree that you can form plausible arguments for basically anybody being the murderer. (I say "basically" because it's deeply unlikely that the protagonist, who is digging back into the case against the advice of everyone around him, is the killer. There are stories that would pull that trick, but this never pretends it's one of them.)
I found the ending particularly gratifying. The past sections do enough to make you like and sympathize with the characters that finding out who's responsible is genuinely a fraught question; once the answer comes out, there's a deeply satisfying sequence that tackles the question of what justice ought to look like in this situation -- for more than one crime. Those who deserve it wind up with their bonds of friendship tentatively healing after years of rift. I got this rec from Marissa Lingen, and she tells me there will be a sequel; I look forward to it enormously.
( Read more... )
The detail in question felt slightly contrived to me, but I accept it as the set-up for what is otherwise an engaging story about personal relationships. The novel proceeds in two parallel tracks, one building up the history of these friends at university, the other showing what's become of them since the murder. It does the thing a dual-timeline novel needs to do, which is keep suspense around the past: yes, we know who's going to get murdered, but the lead-up to that matters quite a lot, first as we see how this group coalesced into such brilliance they were nicknamed the "Seven Wonders," and then as we see how things fell apart to a degree that you can form plausible arguments for basically anybody being the murderer. (I say "basically" because it's deeply unlikely that the protagonist, who is digging back into the case against the advice of everyone around him, is the killer. There are stories that would pull that trick, but this never pretends it's one of them.)
I found the ending particularly gratifying. The past sections do enough to make you like and sympathize with the characters that finding out who's responsible is genuinely a fraught question; once the answer comes out, there's a deeply satisfying sequence that tackles the question of what justice ought to look like in this situation -- for more than one crime. Those who deserve it wind up with their bonds of friendship tentatively healing after years of rift. I got this rec from Marissa Lingen, and she tells me there will be a sequel; I look forward to it enormously.
( Read more... )
Rebuilding journal search again
Jun. 30th, 2025 03:18 pmalierak posting in ![[site community profile]](https://www.dreamwidth.org/img/comm_staff.png){kind=small}
dw_maintenanceWe're having to rebuild the search server again (previously, previously). It will take a few days to reindex all the content.
Meanwhile search services should be running, but probably returning no results or incomplete results for most queries.
Meanwhile search services should be running, but probably returning no results or incomplete results for most queries.